Introduces products for digital package printing, to deliver greater customization, consumer engagement and increased marketing activities. The Intec ColorSplash range is designed for printing on to heavy card , taking sheets up to 330 x 1,321mm and up to 450gsm/micron. The new Intec FB600 is then used to cut and crease printed sheets to produce packaging, boxes, point of sale units and more. The Intec ColorCut CC500 can also be used to cut card, as well as to produce kiss cut labels, and features a vacuum feed and air blowers to combat static. The new ColorFlare700 desktop flaring system is used to add gold, silver or holographic embellishments to labels and packaging.
This is where the timeline in Bohemian Rhapsody really goes off the rails. [This is a spoiler alert. Don’t read past here if you don’t want to know how the Queen movie fabricates the band’s history. I would argue that I’m doing you a favor by spoiling it. But proceed at your own risk.] The film’s third act essentially sells out reality in order to goose the drama of the climactic Live Aid performance. Part of that involves downplaying the success of The Works, Queen’s last truly great album, which reestablished the band’s commercial bona fides in Europe and pretty much every place else outside the United States, due to the inclusion of two all-time Queen singles, Taylor’s “Radio Ga Ga” and Deacon’s “I Want to Break Free.”
Get your glow on and brighten up your night with beams of beauty, psychedelic style and frantic dancing in rays of Ultra Violet excellence. Featuring Distrikt residents and community!
Led by Greenlight bookseller Grace, this book group is geared toward kids ages 9 to 12 and reads great contemporary and classic chapter books every fourth Wednesday of the month. Parents are welcome (but not required) to attend, and pizza is served.
Congress of Curious Peoples: The Strange and Unusual Market – Coney Island USA Through April 15, 2018 – Brooklyn
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Iwan Baan, one of the most sought-after architectural photographers today, will talk with William Menking, Founder and Editor-in-Chief of The Architect’s Newspaper about how a photographer’s aesthetic choices and use of technology can imbue seemingly static buildings with feeling and meaning. Baan, whose work is in the current exhibition, Image Building, is known for images that narrate the life and interactions that occur within architecture. With his combined passion for documentary and space, Baan’s photographs reveal our innate ability to re-appropriate our available objects and materials, in order to find a place we can call our own. Examples of this can be seen in his work on informal communities where vernacular architecture and placemaking serve as examples of human ingenuity, such as his images of the Torre David in Caracas–a series that won Baan the Golden Lion for Best Installation at the 2012 Venice Architecture Biennale. With no formal training in architecture, his perspective mirrors the questions and perspectives of the everyday individuals who give meaning and context to the architecture and spaces that surround us, and this artistic approach has given matters of architecture an approachable and accessible voice.
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Review: New Bentley Continental GT | 8 Heads Labels Winding Machine Related Video:
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